Safiyyah’s war by Hiba Noor Khan

Most of us will have read books about World War II and about the role that children had, sometimes as participants and sometimes as observers.  This is usually told through the eyes of those on the Home Front or those that are refugees because of persecution.  This story takes a different slant, but nevertheless it is a tale that is based on truth and what happened in Muslim communities in war torn Europe.

The central character in this story is Safiyyah, who lives with her parents in the Grand Mosque of Paris, together with the small community who work in the complex.  As the Germans move ever closer to the city, many of Safiyyah’s friends start to move away, but her community feel relatively safe.  However, when the bombs start dropping and the German troops move in to the city, life takes a much darker turn.  Safiyyah is horrified by what she is seeing happen to the people around her and finds it difficult to understand why her father seems to be doing nothing to help those in need.  It is only when she is discovered looking through papers in his office that she is told that he and other members of the community have been providing forged papers and then helping others to escape from the city; in fact there is a whole network based in the grounds of the Mosque.  When her father is arrested for helping Jewish neighbours escape, Safiyyah decides that she has to start helping the resistance in their humanitarian efforts.  What follows is a breath-taking story of courage and daring, as Safiyyah negotiates the dangers involved in leading refugees through the catacombs of Paris, as well as coping with the death of her beloved grandmother and trying to find a way to save her father.

I absolutely loved this story, which helps tell us about the bravery of people that we hear so little about.  This is yet another example of ‘ordinary people doing extraordinary things’, when faced with the inhumanity shown by some political or religious leaders.  Safiyyah is a delightful character, but as with most young people she tends to see the world in very defined ways.  It is only through experience that she begins to understand that life is far more nuanced and that the adults in her life are having to juggle a multitude of needs.  The relationships between the members of the family really highlights the closeness of all the generations and we really feel for Safiyyah when she realises that her grandmother is not going to survive; but she also learns that sometimes older people want to join those who have gone before them.  This is such a poignant episode that echoes the experience of all those other people who were losing loved ones during the war, but it also resonates today  This is one of those books where you are in danger of running out of superlatives.  There is so much hope, even amid the horrors of war and the importance of family and faith shine a real light in the darkness.  Thank you to the author for such an inspiring story, which is bound to become a classic in future years.

The author

Hiba Noor Khan

Hiba’s academic background is in Engineering/Physics, having completed Postgraduate study at the University of Oxford in 2015. Since graduating she has worked in the Environmental Sector, as a Refugee Advocacy Worker for The Children’s Society, a Physics teacher and TV presenter. She has a keen interest in social and political affairs and assisted policy research for the Governments Commission on Religion and Belief in Public Life in 2015. Her passion for international development has led Hiba to travel to implement various sustainable development projects in rural Tanzania, and to deliver aid to Syrian refugees in Turkey.

The Bedtime Boat by Sital Gorasia Chapman and Anastasia Suvorova

Children and bedtime are an issue that most parents will have had to deal with at some time or another.  But this is also an issue for adults, who in this fast paced world of ours, find it very difficult to find that calm feeling that will allow them to sleep.  Over the last few years and particularly since the pandemic, we have all become more aware of our well being and mental health.  The importance of a good night’s sleep is well known, but giving yourself the sense of calm that is needed to sleep, that is not so easy.  thankfully there is advice out there to help us and our young people to relax and sleep.

In this delightfully engaging story we get to meet the young Chandan and his mother as they go through their nightly ritual to bring calmness and relaxation to the end of the day.  It has been a hectic day with lots of adventures, including a visit to a fun fair; but now is the time for those comforting activities such as a bath, brushing teeth and snuggling down with favourite toys and blankets.  However, even for a small child it is not always easy to relax from the excitement of the day.  The brain has a habit of repeating the events of the day and questioning what has happened.  Thankfully Chandan’s mother has a method of helping him calm down and this is a technique which uses the concept of a boat (placed on the tummy) in order to calm and soothe breathing.  But Chandan is a child with a lot of imagination and he envisages a range of sea based problems that need dealing with; from pirates, whales,  and sharks all of these fears have to be dealt with.  His mother uses the constant repetition of  “Watch the boat, Chandan, it floats on the ocean.  It rises and falls with your breath’s gentle motion.”  This helps bring a symmetry  to the flow of the story and also a gentle rhythm  which becomes really obvious and calming if you read the story out loud.

The illustrations really bring this story alive with the vivid, yet quite mellow, colour palette.  The layout on the pages varies a great deal and even  the phrase “watch the boat” is  used in a multitude of ways, so that there is no chance of boredom.  We have images  in vertical and horizontal alignment as well as those taking the whole page, or even a double page spread.  There is always something to discover and this should work beautifully as a bedtime story, or a calming afternoon read for foundation age children.  the love of the parent and child comes through both the text and the images and makes the book feel like a warm and cuddly blanket.

The back of the book gives instructions on how to make a paper boat and though it seems quite easy, you do have to keep in mind which is the back and which is the front!  Yes, I have made a first attempt and will give it another go, to see if I can improve!!  I think I might read the story whilst listening to Enya singing “Sail away”

Sital Gorasia Chapman, author

Sital left a career in banking, trained as a yoga instructor, and then started writing. She studied Writing for Children at the City Lit, and her picture book submission was commended at the FAB awards in 2019. Sital was commissioned to write a poem for the CBeebies children’s television series Colours. She writes fiction, non-fiction and poetry for children and lives in London with her husband and three young daughters.

Website: https://sitalgorasiachapman.com/

Anastasia Suvorova, illustrator

Hello! My name is Anastasia Suvorova. I am a freelance illustrator based in Limassol, Cyprus.
I specialize in artwork for picture books, covers, advertisements, animations and game projects. I aim to create poetic, philosophical, deeply felt and permeated by a sense of magic illustrations. I love creating new and beautiful worlds through my projects, especially in stories about nature, dreams, travel, attention and kindness.
Represented internationally by Illozoo | the visual communication agency.
anastasia@chaosego.com

The House Trap by Emma Read and Coralie Muce

I suspect that we all have experience of houses that are run-down, creepy and have stories told about them.  I still remember as a child a house, on my walk home from town, that we had been told was inhabited by a witch!  Needless to say we always walked on the opposite side of the road, even though we never saw this person.

In this wonderful story we have the same concept.  The children are the central characters and they comprise of two families, Claude and his young sister Amity and his best friend Deliah, but we also have new friend Sam, who manages to create friction in the group.  At a family gathering before Claude and his family move away, the children are sent out to play and Amity runs off into the local Badwell wood; this is a place of rumour and tragedy, with tales of disappearing children, which explains why it is out of bounds.  When the others follow, they find the dilapidated remains of a house, which had been empty since the 1930s.  The front door is wide open, so they go in, hoping to find Amity and then the door closes behind them.  This is when everything starts to go wrong as they can’t get the door open and the house almost seems to be playing tricks on them.  Now, the three children have to try and find Amity and then get themselves out of the house.  What follows is almost like an Escape Room challenge as the children find clues, many of which revolve around the original disappearance of the last owner’s daughter in 1930.  Will the young people escape and what mysterious forces are working against them?  Importantly do you believe in ghosts and spirits?

Well, whilst this is a story for middle grade readers it is still aiming at sending a shiver down the spine, and it achieves this brilliantly.  We start off with the frictions between the young people and this is so central that it almost lulls us into a sense of false security.  However, the author very slowly builds up the tension and gradually introduces more and more elements that make you desperate to get out of the building.  This really is a wonderfully sinister tale of the supernatural and it is going to be a brilliant introduction to this genre for the primary reader.  Linked to this we have the more recognizable issues between siblings and friends as they inevitably grow and change over time.   The old saying “two’s company, three’s a crowd” definitely seems to be the case at the beginning of the story, but as things develop, the young people learn that they have to work together if they actually want to achieve their aims.  I love the way that the children learn from their adventures and that they are not two dimensional characters, making us feel more invested in their stories.  Thank you Emma for a truly spine-chilling story.

About Emma

Once upon a time (in school), Emma was told she had to choose between being a scientist and a creative but deep down she knew she could be both.

Her favourite things in the world are: badges, Death On the Nile (1978), hats, foxes, deserts, desserts and Buck Rogers in the 25th Century. She’s not sure which holiday is best – Halloween or Christmas (she loves all things spooky, but also presents and singing Christmas carols.) Her one regret in life is never having trained to be an astronaut.

​https://www.emmareadauthor.com/ 

 

 

The Sundae Delivery Service by Holly Rivers

I was asked to take part in this blog tour just before I went on holiday, so the story stayed at home waiting for my return.  Oh, how I wished that I had taken it with me (the explanation will follow shortly.)  I had the great pleasure of reviewing Holly’s previous book about “The Boy in the Post” and so it was delightful that I would be able to enjoy the new adventure featuring the three Shalloo siblings, Orinthia, Seafra and Taber.

In this book they are back in their village of Little Penhallow and are excited because an Ice Cream parlour, called the Two Scoops Creamery, is opening up and offering FREE cones to the first one hundred customers.  Well, I would have done exactly what the children did, although I don’t think I could run as fast as they can.  The problem is that everyone else wants the free treats; luckily the children meet up with Dotty, the daughter of the two owners and they manage to wangle their ices.  This is the start of a great friendship, especially between Dotty and Orinthia.  When  Pem and Pandora, Dotty’s mothers, announce that they are about to take part in an international Ice Cream competition called the “Golden Udder Award” and it is in Norway, things start to get exciting.  Together with Dotty and Orinthia (plus two cows called Fosse and Falaise)  the team head to Bergen on board their favourite ship the Mollusca, complete with their friend Mog.

This sounds like a really warm and cuddly story, but no, someone is out to destroy their chances of winning the competition and they find numerous problems are put in their way; culminating in the theft of the two cattle, without whom they would not have the right kind of milk for their Jam Roly-Poly Ice Cream.  Yet again Orinthia is called upon to use all her ingenuity to find out who is the enemy and then to make sure that the Two Scoops Creamery are able to take part in the competition.  Yet again we have a wonderful mix of adventure, intrigue and humour, with our heroes managing to lurch from one crisis to another, but always winning out in the end.  There are really strong theme around the concept of family and although our heroes have a very positive experience, we also get to see what happens when the wider family employs a moral blackmail in order to achieve their aims.

Image is from the official website, thank you to them for a superb photo.

What is so great is that we get to learn about Bergen and in particular its famous Funicular called the Floibanen, although I am still not sure how the enemy was able to undertake one of their activities.  You will have to read the book in order to find out!

At the beginning of this article I said I wished that I had taken this on holiday with me, and that is because I have been on a cruise to Norway, starting at Bergen.  The story brought back so many lovely memories, especially of the Funicular and the amazing views that you get from the top, but it also reminded me of the arrival into Bergen and the astounding scenery surrounding it.  Thank you Holly for creating such a wonderful story and for giving us an insight into the beauty of another country.

 

 

 

 

 

 

 

The Author: Holly Rivers

Holly grew up in a real-life children’s book, playing the part of Drusilla in ITV’s The Worst Witch alongside Felicity Jones. She spent her childhood in Wales, wishing that she was Pippi Longstocking, and after graduating spent time working as an actor, broadcaster and cheese-seller, until one day she had the idea to pen a story about a tenacious young inventor named Demelza. Holly’s days are now spent penning new stories as well as leading drama, craft and bushcraft classes for children. She lives in Brighton with her girlfriend and still wishes that she was Pippi Longstocking.

 

Old Gods, New Tricks by Thiago Moraes

Like many people of my generation I grew up reading about the various mythologies that were common at the time.  These included Roman, Greek, Egyptian and Norse myths and gods, but what was missing were the mythologies of other parts of the world.  It was only when I became a teenager that I began to hear about South American, Asian, African and then American stories.  However, these are not myths that are widely known or written about and it is only in the last few years that people have felt able to write about their cultural beliefs and histories; or at least that is my perception, so I apologise if I am wrong about this.  I was delighted to read this wonderful story of the Trickster gods, a concept that seems to appear in so many mythologies but about whom I had little knowledge, apart from Loki who is a favourite character at the moment.

The main character, Trixie dos Santos definitely lives up to her name and as the story begins she is getting a final warning from her headteacher and is threatened with expulsion.  At that moment all electricity stops functioning and the world is without lights, computers and in fact anything that depends on this source of power.  As life becomes increasingly difficult for everyone, Trixie decides that it is the old gods who have taken the electricity away an she needs to find a way to trick them into giving it back; the answer is to get the trickster gods to help, something that is a huge challenge, even if she can get them to answer her pleas.  What follows is something of a roller-coaster ride as Trixie and her companions  follow the trail that will lead them to the other gods and hopefully success in giving electricity back to the world.

What a fabulous take on the world of myths and legends.  The trickster gods all have their own little quirks and a real sense of attitude, so that we really enjoy their antics and the interaction between them.  We also see these gods develop a real feeling of friendship with our young heroine, which means they start working together as an approximation to a team.  Trixie is a really feisty young girl who learns a lot through the adventures that she goes through.  There is a lot of growing up and an understanding that life does not always change in the ways you imagine when you start on a journey. The author is also a very talented artist and his illustrations for the book really focus on the wide ranging cultures that are represented; the black and white images really add to the overall sense of foreboding that we feel as the world begins to descend into darkness.  This story also highlights the dependence that this world has on the use of electricity. Even  for those of us who grew up without computers, mobile phones and other digital resources , it is still difficult to imagine going back to the days before this source was available.  In a real sense this book provides a call to look after our natural resources and not squander what we have.

Thiago de Moraes

I’ve been fascinated with myths and legends since I was a very young kid in Brazil. I was fortunate to grow up in a house where there were lots of books lying around, on all sorts of subjects. Most weren’t children’s books, but my parents didn’t mind me reading them, and that’s how I discovered a lot of the mythologies that still captivate me today. Since then, my curiosity and respect for these extraordinary worlds has only grown; I have read many other books, spoken to lots of people and tried to visit and experience as many sites from different cultures as I can.

The first book I remember becoming obsessed with as a child was a large, illustrated edition of ‘Lendas Africanas dos Orixás’*, by Pierre Verger. He was a photographer, anthropologist and ethnographer who studied the myths of the Yoruba people from Western Africa and their counterparts in the African diaspora in the Americas. It was a collection of legends of the Orisha, Yoruba deities, which I found both awesome and a quite frightening. That’s where I first met Exú, also known as Eshu, Elegba and many other names, the god of beginnings, crossroads, mischief and much more. He was the first trickster I thought about having in the book (as it’s his right) and a lot of the plot developed from his presence.

Loki, Maui and Sun Wukong are there for the same reason. I’ve known them for a long time, so I felt like they were old friends that I could invite to join in an adventure (much like Trixie, the book’s protagonist, does.) What attracts me to tricksters, beyond their rebellion and creative force, is how fun their stories are. Humour can sometimes be hard to find in myth, so these tales have always stuck with me. Finally, I learned of Huehuecóyotl (and countless other gods I hadn’t know about) whilst researching a non-fiction book I wrote called Myth Atlas, which features lots of stories from different societies.

All the cultures from which the trickster tales that inspired Old Gods New Tricks come from – Yoruba, Ancient Norse, Polynesian, Chinese and Aztec – are immensely rich and culturally complex. They’re also very different from each other; it’s impossible to sum up all the things that drew me to them, but a common aspect, which I was mesmerized by, is the sense of vitality we get from them. Even though they have deeper meanings and play important roles in religion and ritual, they are also brilliant stories, full of the wonder and confusion of life, and present us with worlds that, although supernatural, are also instantly familiar.

I hope that readers that enjoy Old Gods New Tricks will continue on their own adventures and discover more about these cultures, their myths and legends. There are lots of brilliant places to start, but few are better than your local library or bookshop.

*African Legends of the Orisha

Thank you Thiago for this insight into your work, it is totally fascinating and will hopefully inspire readers to look deeper into the characters you have used.

“Old Gods, New Tricks

David Fickling Books, 9781788452953, £7.99