Woodwitch by Skye McKenna

Welbeck, 9781801300414

One of the highlights of 2022 was discovering the wonderful novel “Hedgewitch” by Skye McKenna.  In this we were introduced to the young Cassie Morgan and her discovery that she is part of a famous witch family and they welcome her into  a new home with them; a home that guards The Hedge, a wood that acts as a divide between this world and the world of faerie. This also starts her search for her mother, who disappeared years before   The only trouble with finding fantastic books is that it is difficult having to wait for any further adventures, but we have finally got the amazing second book in the series and I am delighted that I have been asked to take part in this blog tour.

Cassie has now settled to her life in the village of Hedgely, living with her Aunt Miranda and her two friends, Rue and Tabitha.  However things are still not straightforward and strange things start happening to people in the village; they appear to have been taken over by a spirit and are digging around, trying to find a mysterious treasure.  Mixed with this we have the arrival of an Irish witch called Aoife Early and then Carrie’s uncle arrives, bringing her cousin Sebastien to stay and it  is fair to say that the young man is less than happy at finding himself in a place without all of the modern amenities that he expects.

This is one of those multilayered stories where you have to stay focused on the varying strands of the story.  All of this adds to the mystery and the tension as the plot builds up to a very exciting climax.  There is a very satisfying blend of magic and reality, myth and legend, which the author has woven beautifully together.  It is really about family and feeling like an outsider, particularly when there is a lot of change. The dynamics between the various characters is fascinating and gives us a sense of what it is like to be a young person trying to understand what is going on around them.  There is also a sense that life is seen in black and white, without the multi- shaded elements that older people recognize, as they gain experience of the world.

One of the things that I love about Skye’s writing is her power of description.  There is a lyrical quality that draws the reader in and gives a sense of tranquility , calm and well-being, whether it is describing a special type of tea or or the trees in the Hedge.  However she can also use this skill to heighten tension and frighten us as we face some of the servants of the Erl King (the King of Faerie).  Her ability to change mood in the space of a few words means that the reader is constantly on their toes, waiting for the next situation to occur.  I must mention the illustrators for the cover and the two representations of the village and the main street, these add an additional layer to our understanding of the world the story is set in and allows us to follow the journeys that the girls go on as they try to solve the mysteries they find.

This is a delight of a book which I think has even surpassed the original tale, it is definitely worth five stars at least.  I can’t wait for the third book to appear in 2024 hopefully.  This book tells us that the title appears to be “Seawitch”, so I am going to spend the next year or so in eager anticipation of yet more adventures.

Portrait photography

Author

Skye McKenna grew up in a mining town in the Australian outback. Surrounded by the red dust of the Pilbara, she developed a healthy respect for wild things and wild places at a young age. Seeking adventures of her own, she travelled to the UK and fell in love with the British countryside.  Skye now lives in Scotland and works for a heritage charity, with whom she recently curated an exhibition on medieval magic. When she’s not reading and writing, she goes looking for stories in the hills and forests of her new home.

(Thanks to Skye and Welbeck for this information)

Into the Faerie Hill by H S Norup

I first discovered the work of H S Norup when I was asked to review her last book “The Hungry ghost”, so I was particularly excited when I was asked to join in with this blog tour.  I have to say that her writing just keeps getting better , with its ability to immerse the reader in the scenery and atmosphere of the surroundings.

When Alfred moves to stay with his Granny, it is because his father (a civil engineer) is involved in building a road tunnel under the local hill.  As with so many projects like this, there is a lot of local disagreement , mainly around the themes of environment; however there might be some other reasons for not wanting this destruction of the hill area.  Alfred has spent most of his childhood moving to different countries with his father’s work, because his mother had died when he was young.  Returning to his Granny’s home, after a gap of five years,  he is surrounded by feelings of darkness and has the disturbing thought that he can see small faerie type creatures.  It is only when he meets his neighbour, Saga, that he discovers that they can both see these creatures and he begins to understand what a road tunnel could mean to the magical inhabitants of the area.  The children find themselves becoming heavily involved in the fight to prevent the building, but at the same time they are having to deal with the magical world and the dangers that it could  bring to their families.

This really is a fabulous story about the meeting of two worlds; one of them is our own and the other is the magical world of folk lore and myths.  The author has set the action in a scenario that many of us can understand; my own village is due to start on the building of a new bypass after a wait of over 50 years since it was first mooted, luckily our own ‘faerie’ hill is not affected, but I can  really understand the issues that people would worry about.  However the thing that really comes across is the need to understand and cherish the nature that surrounds us.  The world is changing at a rate that could only be imagined  (as a nightmare possibly) when I was a child, however, we need to understand that nature is something that we all need for our physical and mental well-being.

Beyond all of this, it is the story of a young boy who desperately wants to understand what has happened to his mother.  As the story unfolds, he discovers that he has not been told the whole truth and that the reality is stranger than he could imagine.  This really is a very special book and one that will totally enthrall the reader, with its mix of magic and reality.  Thank you so much for allowing me to join in the celebration of this launch and I know that it will be a firm favourite.  A great five-star start to the year.

Author bio:

H. S. Norup is the author of The Hungry Ghost and The Missing Barbegazi—a Sunday Times Book of the Year in 2018. Originally from Denmark, she has lived in six different countries and now resides in Switzerland with her husband and two teenage sons. She has a Master’s degree in Economics and Business Administration and sixteen years’ experience in corporate marketing strategy and communications. When she’s not writing or reading, she spends her time outdoors either skiing, hiking, walking, golfing or taking photos.

Thank you to the author for the author information and the photograph that she has made available on her website https://www.hsnorup.com/

 

 

 

 

 

 

 

 

 

Moonflight by Gill Lewis and Pippa Curnick

As a fan of books by Gill Lewis, I was delighted to be asked to take part in this blog tour.  The book itself is a fabulous tale of adventure and overcoming the limits that are placed on us (often by those who love us best).  Thank you so much to Gill for agreeing to answer these questions for me and many thanks to everyone at David Fickling books for publishing the book and asking me to be involved.

 

  • Moonflight is a very different story to those that we often associate with you. Have you always wanted to write this type of book and if so, have other authors been an influence on this?

My other stories are very grounded in the real world and are often about conservation with the human characters telling the story. I ventured into anthropomorphism with A Street Dog Named Pup, but Pup does live essentially as a dog in the modern human world. I suppose as a writer one can get pigeonholed into one genre, but I think most writers have a variety of stories they want to tell. I did enjoy being released from detailed factual research and building the world of the highly anthropomorphised Dockland Rats.

As a child, the stories I wrote were about small people or animals having adventures, and it has been wonderful to immerse myself in these worlds again. I have always enjoyed stories such as Despereaux by Kate Di Camillo and the world of the mice she created. As a child I loved Paul Gallico’s book Jennie, about a boy transformed into a cat after a car accident. I also love the Disney films of The Rescuers. I think children can relate to small creatures being the heroes of the story.

 

  • What gave you the idea for a hero who was so restricted in his lifestyle? Did lockdown have any impact on your thought process?

Lockdown had a huge impact. I was lucky that we had a big garden and access to local walks, but our lifestyles were so restricted in the first lockdowns. I remember feeling claustrophobic with a need to escape. And so, I escaped into Tilbury’s world, following him on his adventures, the twists and turns of the story happening organically as I wrote. I think I needed a change from my usual stories that are based in the real world, and to travel to new unexplored worlds. The infinite realms of the imagination were my portals out of reality. Lockdown also made me feel a little institutionalised, and anxious to venture out when Lockdown was lifted. A trip to London seemed a huge undertaking. I really felt I understood Tilbury’s paradoxical desires for adventure and yet to stay at home and never leave.

 

  • A main element of the story is about family and the importance of allowing the young to find their own way in life. Does modern life make us more wary of giving freedom to young people?

This is a hard one to answer – yes and no, I suppose. I think my early childhood had more freedoms than that of my own children’s – I lived in a suburban street and I played outside all the time, at friends’ houses, in local woodland even when we were really quite young. I didn’t have to say where I was going or what time I’d be back, I just had to turn up before dark or for tea. I think parents are more worried by stranger danger and dangerous traffic on roads these days. But also sadly, a problem of modern life, especially in urban areas is that are fewer places to play outside as many places may be developed for housing. My own children grew up in a rural area, but the small roads were so busy, and used as cut-throughs for local traffic, that cycling and walking were not very safe. Like all mothers, Tilbury’s Ma wants to protect her little son as much as she can, but of course, she cannot protect him forever. She must be brave and let him begin to find his way in the world, letting him test his own boundaries. Even Tilbury’s Pa must remind Ma that they were young rats once in search of adventure. But Ma will always there for Tilbury with a hot dinner and a warm bed if he should need it.

  • There are several very strong themes around greed, trust, cultural history and beliefs. Were they part of your original plans, or did they develop as the story grew?

These themes developed as the story grew. Part of the story was inspired by the myths behind the Koh-i-Noor diamond, a priceless diamond in the Crown Jewels. Queen Victoria gained this diamond by deception from the then 11-year-old Sikh Maharaja, Duleep Singh. This diamond has many stories woven around it, and different claims to its ownership. Queen Victoria would never have wanted to admit to the deception and may indeed have convinced herself she lawfully gained it. But this diamond also holds a curse such that no royal male ever dares wear it. Maybe the curse itself is a story, a hidden narrative of guilt, lies and bloodshed that cannot be ignored.

In Moonflight, I wanted to explore the stories we tell ourselves, those narratives we weave around our own lives to protect us and validate who we are. Sometimes it can be difficult to challenge those stories. I wanted to put Tilbury, a timid little rat, into a tale where he has to search for the truth, and in doing so, gain a greater understanding of himself too.

 

  • Finally, are we likely to see more stories set in this magical world?

At the moment I don’t have any plans, although if there were to be a spin-off I think it would follow Nimble-Quick on her travels. The first draft of Moonflight had other rat groups that ended up being cut from the story. I’d particularly like to revisit the City Rats, large domestic fancy rats that live in the top of the Shard and collect shiny watches and other bling. I’d also like to delve into the Elders’ possessions in the Tower of London, acquired and stolen over the centuries. An earlier draft of Moonflight included a rather mature piece of cheese from the original piece that Samuel Pepys buried to protect in during the Fire of London. So will there be more stories? Not right now, but maybe watch this space!

This really is a highly recommended story and gets  five stars from me.  I do so hope that we will have more stories from this magical world.