magic

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Woodwitch by Skye McKenna

Welbeck, 9781801300414

One of the highlights of 2022 was discovering the wonderful novel “Hedgewitch” by Skye McKenna.  In this we were introduced to the young Cassie Morgan and her discovery that she is part of a famous witch family and they welcome her into  a new home with them; a home that guards The Hedge, a wood that acts as a divide between this world and the world of faerie. This also starts her search for her mother, who disappeared years before   The only trouble with finding fantastic books is that it is difficult having to wait for any further adventures, but we have finally got the amazing second book in the series and I am delighted that I have been asked to take part in this blog tour.

Cassie has now settled to her life in the village of Hedgely, living with her Aunt Miranda and her two friends, Rue and Tabitha.  However things are still not straightforward and strange things start happening to people in the village; they appear to have been taken over by a spirit and are digging around, trying to find a mysterious treasure.  Mixed with this we have the arrival of an Irish witch called Aoife Early and then Carrie’s uncle arrives, bringing her cousin Sebastien to stay and it  is fair to say that the young man is less than happy at finding himself in a place without all of the modern amenities that he expects.

This is one of those multilayered stories where you have to stay focused on the varying strands of the story.  All of this adds to the mystery and the tension as the plot builds up to a very exciting climax.  There is a very satisfying blend of magic and reality, myth and legend, which the author has woven beautifully together.  It is really about family and feeling like an outsider, particularly when there is a lot of change. The dynamics between the various characters is fascinating and gives us a sense of what it is like to be a young person trying to understand what is going on around them.  There is also a sense that life is seen in black and white, without the multi- shaded elements that older people recognize, as they gain experience of the world.

One of the things that I love about Skye’s writing is her power of description.  There is a lyrical quality that draws the reader in and gives a sense of tranquility , calm and well-being, whether it is describing a special type of tea or or the trees in the Hedge.  However she can also use this skill to heighten tension and frighten us as we face some of the servants of the Erl King (the King of Faerie).  Her ability to change mood in the space of a few words means that the reader is constantly on their toes, waiting for the next situation to occur.  I must mention the illustrators for the cover and the two representations of the village and the main street, these add an additional layer to our understanding of the world the story is set in and allows us to follow the journeys that the girls go on as they try to solve the mysteries they find.

This is a delight of a book which I think has even surpassed the original tale, it is definitely worth five stars at least.  I can’t wait for the third book to appear in 2024 hopefully.  This book tells us that the title appears to be “Seawitch”, so I am going to spend the next year or so in eager anticipation of yet more adventures.

Portrait photography

Author

Skye McKenna grew up in a mining town in the Australian outback. Surrounded by the red dust of the Pilbara, she developed a healthy respect for wild things and wild places at a young age. Seeking adventures of her own, she travelled to the UK and fell in love with the British countryside.  Skye now lives in Scotland and works for a heritage charity, with whom she recently curated an exhibition on medieval magic. When she’s not reading and writing, she goes looking for stories in the hills and forests of her new home.

(Thanks to Skye and Welbeck for this information)

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Spellboda by J C Clarke

The relationship between humans and birds is something that has been around for generations, although the appearance of “A Kestrel for a Knave” by Barry Hines probably bought it in to focus for many.  This book is both heart breaking and yet full of hope for the future.  The impact of his mother’s death on both Trevor and his father is something that we really feel, but the relationship that develops with the birds allows for healing and change.  I am delighted that I was asked to take part in this blog tour and this book is going to be a firm favourite for those who love to feel close to nature.

1st September 2021, The Book Guild

“Trust, belief and a little magic… then maybe they could both fly free Since Trevor’s mum died his dad can barely look at him without yelling. Home is awful, school is worse. People just let you down, and Trevor only talks to Mrs. Bingo-Wings, his mum’s cat. But then he meets Midge, a peregrine falcon in danger, and finds out he has a gift that could change his life forever. Trevor is thrown into the heart of a magical adventure that could promise freedom – for Midge and for himself – but can he overcome his doubts and fears, and take on the destiny he’s only just discovered?”

Previously a falconer, consultant and writer-presenter of CITV’s Wild World, JC Clarke is now loving the writer’s life and is also a script consultant and copywriter. She’s been involved in falconry and conservation industries for over twenty years and is passionate about protecting wildlife. An alumna of the Curtis Brown Creative Writing for Children Course, Jo was shortlisted for Best Opening Chapter for Spellboda at the 2019 Jericho Writers Festival of Writing. She lives in Ashford, Kent with her family – and a large number of animals!

For publicity requests, please contact info@literallypr.com
Online media folder: bit.ly/JCClarke_PR

 

In short, what is Spellboda about?
Spellboda is a magical animal adventure about Trevor, a boy struggling with grief and who doesn’t ‘fit in’, but discovers he has a magical gift. He can talk to Midge, a peregrine falcon, who desperately needs his help. Can Trevor work out who wants to steal Midge, why, and most importantly, can he believe he’s worth something, stop the thieves and save Midge from a life in captivity?

What inspired you to write the book?
I’ve worked with birds of prey for much of my career and I’m passionate about animal conservation. Some of my work has also been with young people, and helping them to transition through difficult situations and times in their lives, and I wanted to write a story that would also help young people to be confident in their unique abilities and strengths, and to believe in themselves.

What are some of the key themes that you explore in the book?
Key themes are animal conservation and education, handling grief and relationship dysfunction, finding self-confidence, self-belief and self-esteem, and being brave enough to live life in colour – with a touch of magic!

Is Spellboda your first book? When did you start writing it?
Although I have several manuscripts gathering dust in my cupboard, Spellboda is the first book I was brave enough to take forward to publication. I started writing it in 2014, but I was working full-time at this point so it took a while – especially as I put it through six re-drafts before I was even close to being happy with it. I should have listened to the themes in the story sooner and believed in myself a little more!

Who, or what, are some of your literary influences?
CS Lewis has been a huge influence and inspiration to my writing, as has Alan Garner, who is my hero! I have a love of older classics – including The Water Babies, The Hobbit, Lord of The Flies, and many more, and as I child I used to read Dickens’ A Christmas Carol every December without fail!

What inspired you to write for children / young adults, as opposed to adult fiction?
I’ve always read children’s fiction as a preference to adult fiction, and feel drawn to write it. Imagination is a superpower, and I feel that children aren’t able to let theirs go as much since the advent of tablets, mobiles, gaming and social media… and that books can still give them a chance to let their imaginations go wild.

You were an alumna of the Curtis Brown Creative Writing for Children Course; what was this like, and how did it impact your writing?
The course was hugely helpful to me mid-way through writing Spellboda. It inspired yet another re-draft and also helped me to develop a thicker skin for critical review! Working with respected authors and agents was a great way to gain valuable new perspectives on story writing.

How do you think your story can impact readers?
My hope is that Spellboda helps anyone, no matter their age, to feel worth something when they doubt, to feel they can be brave enough to step up and grab their chance when it comes. I hope awareness is raised for conservation – both in the UK and worldwide – and the belief that making a difference is possible, no matter how small the act.

How long did it take you to write Spellboda, and why?
It took me 6 to 7 years to write Spelloboda, but this was partly because I was working full-time alongside writing, and I wanted to keep re-drafting and working on the manuscript until I felt it was as good as I could make it.

What were some of the challenges when writing the book?
Time and self-confidence were my biggest challenges. Next was finding a place where I could write uninterrupted! I discovered many coffee shops along the way!

And what were some of the highlights?
I vividly recall finishing the book, after the last edit. I think it was because I knew I had got as far as I could at being happy with the manuscript, as much as writers ever can be anyway! I sat at my computer and had tears pouring down my face; happiness at the sense of achievement, but actually more for Trevor, and for his falcon friend, Midge, who have become so real in my life. Other highlights include taking time away to ‘retreat’ to Derbyshire, where Spellboda is set, to walk the peaks and live and breathe in every aspect of the setting I was writing.

You were previously a falconer and have a passion for wildlife; could you tell us more about this?
I fell in love with birds of prey aged 7, when on a trip to Scotland. Sitting in a hide for three hours, at last I watched the UKs only breeding pair of ospreys (at the time) fly over the loch to their nest with fish to feed their babies. I was fascinated, hooked. Even now, every time a bird flies overhead I stop to watch it… especially birds of prey. I spent 18 years as a falconer and my fascination with raptors only got stronger. I’ve been lucky enough to travel more in recent years, and I always seek out the wildlife elements of any place I visit, no matter what or where they are. The natural world is a gift for us all to marvel at and enjoy, and I’ve just felt more and more strongly the responsibility to play my part in protecting it.

How can readers make a difference when they read your story and engage with the messages of conservation and self-belief?
Even the smallest positive act in any area of life will make a difference. My hope is that readers will look at wildlife in a new way, and be more aware of the ways they can help. Even getting involved in local initiatives, such as the work being done at The Wildwood Trust, and many other amazing organisations, will help, and the more of us that get involved, the more difference we will make collectively. I always remember the starfish story!

Why it is important to try to engage with young people in this age bracket (9-15) that often falls between the gaps of middle grade and YA, particularly in light of your youth work?

I believe that ages 9 – 14 are an increasingly crucial stage in development for a young person. It’s a concern to me that so many are exposed to all kinds of material on social media at this age, and the increasing pressure for an unrealistic expectation of some idea of ‘perfection’ that only filters can bring! It’s harder than it’s ever been to be a young person, and to navigate the challenges. I’m sure we can all relate to the teenage years as being a stage we were grateful to survive! Today we see issues relating to personal control, brought about by feelings of inadequacy, and this often seems to manifest in general feelings of hopelessness, a lack of direction and confidence, and sometimes heart-breaking cases of emotional trauma and pain, which can then result in very distressing reactive behaviour. I believe our young people are up against it in a way like never before, and that we need to help them, empower them to believe in themselves, and give them confidence again.

Why do you particularly support charities such as Wildwood and Vulpro? What is it about these charities in particular that stand out for you?

I’m passionate about animal conservation, and supporting Wildwood and Vulpro is hugely important to me. Wildwood’s mission to conserve indigenous species, the work they are carrying out on breed and release projects, is amazing, and they were the obvious local choice for me to support a UK charity. As a worldwide issue, many people are unaware that huge numbers of vultures are dying, and many species are now critically endangered. Vultures are a vital component in our ecosystem and their loss would be catastrophic. I adore vultures, and so this was again a natural choice for me. Vulpro are doing the most amazing work out in South Africa, and they need all the help they can get!

Do you have any trigger warnings on or in the book? The book deals with emotional abuse from a parent – what sort of feedback have you had around this theme?

Some feedback has been that it was a struggle to read about Trevor’s relationship with his father, but some has also been that it was too tame, so I know it’s a very emotive area. It’s hard to acknowledge but many people have gone through some element of abuse or dysfunction through their childhood at some point, so my hope is to face it head on and show different perspectives may help a reader feel reassured and not alone if anything like this was to happen / has happened to them.

What’s next for Trevor and Midge?
Trevor and Midge are fully immersed in the adventure of Book Two now, which is in progress. I’ve also been lucky enough to be asked to write a film script for Spellboda, and I’m currently working on this with an Emmy award-winning writer in LA as my editor – so I’m feeling very grateful!

Do you plan on writing any more books in the future?
I’m planning a set of three books for the Spellboda series, and already have ideas for other books!

And finally, what do you hope that readers will take away from the book?
I hope readers will take away that satisfied feeling that comes from reading a story written with passion, that connects and resonates with them and lifts their spirits. I hope they can lose themselves in the story, and believe amazing things are possible in life, if they believe in themselves!

 

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Autumn Moonbeam: Dance magic ! by Emma Finlayson-Palmer and Heidi Cannon

Uclan, 9781912979769

It is so delightful to see the growth in the number and quality of books for the younger reader.  There was a time when it felt as if it was only reading schemes that were available.  thankfully this is no longer the case.

This is the first in a series of stories featuring the young witch Autumn Moonbeam and her love of all things to do with dancing.  This young heroine really want to make a success of her dancing, but she is unfortunately one of those people who are always accident prone.  she hopes that she will eventually make it big and her real wish is to be accepted into a dance team.  When her friend Leif, who attends Sparkledale Dance Academy, brings a flyer into school, Autumn gets very excited; the Academy is about to hold trials for young people to try out for their competitive dance team, The Black Cats.  However, Autumn’s nasty neighbour Severina is also determined to make the team and she is willing to go to great lengths to achieve her end, even putting a spell on Autumn that turns her into a black cat.  The question is, will our heroine achieve her dream?

What a delightful story that will really resonate with so many young children.  The characters are at that age where they are wanting to branch out and do things, but they are also very vulnerable and worried about whether they can fulfill their dreams.  It is great to see a story where the friends and adults are all very supportive and even the ‘nasty’ Severina is made to understand the consequences of her behaviour and starts to mend her ways.  It is a great read for fans of series such as Amelia Fang and Leonora Bolt.

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A Head full of Magic by Sarah Morrell

Hashtag Press, 9781913835156

This is a strikingly original look at magic and the various ways that it is perceived and understood in different cultures.  Thank you to Hashtag Press for giving me the opportunity to read this and to be part of the joyous celebration for its publication.

The heroine, Fleur is just a normal year six pupil, who lives with her English Mother and West India Nan.  The only unusual thing is that she doesn’t like birds, especially the parrot (called Sir Barclay Wigbert Titus Smythe) who shares Nan’s room in the attic.  Apart from that, she is focused on surviving the last term at her school and avoiding the bully Celeste, who seems to have taken a dislike to her.  But strange things are happening in the community, with mysterious flying figures, lost slippers in the road and even more strange, Nan seems to be part of this.  The final, and really disturbing occurrence is when  Fleur discovers she can understand what the animals are saying.  It starts off with Sir Barclay, but she soon finds that she can communicate with everything from insects to large animals.  After finding the courage to talk to her Nan about all of this, she discovers that she is a Hexter (someone with magic) and her  version makes her an Animalator.  Nan explains about many of the other versions and says that she is able to fly invisibly, hence the  lost slipper.    It turns out that the rather nasty Celeste has the ability to recognize magic, but does not have any skills that she can use, hence her dislike of Fleur.  But can Fleur deal with this problem, help her Nan and come to terms with her amazing new powers; above all, can they manage to reunite Sir Barclay with his lost love Dame Genevieve?

What a fabulously funny story, with some really feisty and  smart characters.  You can’t help but love Nan with her wonderful spirit and sense of family;  despite being 89 years old, she is the glue that holds everyone together.  However, for me, it is Sir Barclay who really steals the show;  he is a totally snarky parrot, with a wicked turn of phrase but he also has the determination to help the family in any way he can.  I do hope that we will be treated to more stories as Fleur learns to control her powers and perhaps find her father, who had left home when his father died.  This is definitely aiming to be a five star story.

 

Thanks to Literally PR

About the Author
Sarah lives in Yorkshire and worked as a Criminologist until
she fell in love with writing and quickly swapped a life with
crime for a life with rhyme! She is married with three awesome
kids who keep her on her toes whilst she is plotting and
sharing her latest stories.
Sarah has self-published two picture books. The King and
the Cockerel was a finalist in the Wishing Shelf Book Awards
in 2018 and Molly’s Magic Brolly picked up a Silver Award
in 2019. She is currently working on a number of middle
grade and children’s picture books and has a couple of book
club novels up her sleeve too. When she is not writing, she
loves nothing more than to run, bike or swim in the hills
of Holmfirth and recently entered her first Triathlon. Next
New Year’s Eve, she will not be making any sports related
resolutions.
Sarah is an active SCBWI Member and a Volunteer
Ambassador for Candlelighters Charity.
Follow Sarah @SMorrellAuthor
www.sarahmorrellauthor.co.uk

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Hedgewitch by Skye McKenna and Tomislav Tomic

I admit to really loving books about magic, witches, and the mythology surrounding the Fae folk.  This belief in the fairy people has its roots in Celtic myths, as far as I know and you can forget any thoughts of pretty little fairies with tinsel and wings.  The characters in this story are human sized, powerful and have a very strong dislike for humans, although they have a fondness for young children and often kidnap them.  In the land of fae there are also creatures ranging from goblins to pookhas, all of which are a danger or at least an irritation to the human world.

Cassandra, or Cassie Morgan has been at the really awful Fowell House School for seven years, ever since her mother left her there at the age of five.  When she is told that her mother has been declared officially dead, she does not believe it and runs away, to avoid being sent to an orphanage.  But that is when things become very strange; firstly she is attacked by six very small men and then she is saved by a talking cat (yes, really!) and a flying broomstick.  The cat, Montague, tells Cassie that he has been sent by her unknown Aunt Miranda, to bring Cassie to the family home and when she arrives she discovers a world that she had dreamt about, but had not really believed existed.

Aunt Miranda is a witch, as are some of the locals in the village of Hedgely and her duty is to protect the ‘Hedge’, a dense wood that creates a barrier between the human and faery worlds.  It seems that creatures are trying to break through the barrier and they have been stealing children to take them back to sell to the ‘Lords and Ladies’ as the Fae are called.  Cassie finds that life has become very complicated; not only is she is starting lessons at the witch version of the girl guides, trying to navigate between several friends and getting to know her new family, but above all she is trying to find clues about her mother’s disappearance.  As you can see from the brilliant map, this is a small and tightly knit community, but it is still wonderful to be able to visualize it in this way.  There are also some marvellous illustrations throughout the book.

This is a truly fantastic story of witchcraft and magic, mixed with that slightly dark version of Celtic mythology.  Cassie is one of those characters that you can’t help but like, even though as an adult I find her very frustrating at times.   The friction between her and her aunt  is caused by the difference in the way they see the world.  Cassie, like many young people sees the world in fairly straightforward terms, unlike her aunt, who has learnt that there are all kinds of nuances and you often need to tread carefully.  Mixed with the search for the missing children and mother we also have multi-layers of friction between individuals and witch families.  You can see that there are echoes of other stories featuring young witches, but of course it is what the author does with the story that makes all the difference.  I first read this story in preparation for attending the Federation of Children’s Book groups’ Conference last month; as you can see from the photos, I had the pleasure of meeting Skye, as she launched her book with a selection of cakes.  I have now re-read the book ready for this blog and I am really delighted to say that the book is even better the second time around.  We are treated to adventure, intrigue, family and some fascinating characters, although I think that my favourite is that cat with attitude, Montague; he has that hint of sarcasm in his comments and yet we feel that he would do anything for the Morgan family.

This is one of those books that you give 10 out of 10, or even 5 stars, but if you bring it all to a basic level then this is a brilliant read and I can’t wait for the follow up, “WoodWitch” due to be published in April 2023.  It is a must have for any lover of fantasy stories.

 

The Author

Skye McKenna grew up in a mining town in the Australian outback. Surrounded by the red dust of
the Pilbara, she developed a healthy respect for wild things and wild places at a young age. Seeking
adventures of her own, she travelled to the UK and fell in love with the British countryside.
Skye now lives in Scotland and works for a heritage charity, with whom she recently curated an
exhibition on medieval magic. When she’s not reading and writing, she goes looking for stories in
the hills and forests of her new home.

Hedgewitch is Skye’s first novel.
For further information, images please contact Lorraine Keating
Head of Children’s Marketing and Publicity at lorraine.keating@welbeckpublishing.com
@KidsWelbeck @WelbeckKids

Cover illustration  Saara Katariina Soderlund

Interior illustrations   Tomislav Tomic

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Picture Book Update

Parents, librarians and teachers are always on the lookout for new picture books to read to their young readers.  Whilst most children have favourites that they have to have read almost every day, it is important that they are introduced to a wide range of the fabulous works which are out there.  Teachers in particular are looking for books that have themes that they can integrate into their curriculum work, as well as being a fun and lively story.  I hope that some of these books will meet the needs of many of you reading this.  Give them a go, I am sure you won’t be disappointed.

Two Hoots, 9781509889839

“Three Little Vikings” by Bethan Woollvin  tells the story of three children who struggle to get the adults to believe that they have heard something big and dangerous outside; the chief is particularly irritating as he repeats that he is a grown up and he knows best.  You can see that many children would find that message very frustrating.   The story uses Viking mythology to brilliant effect, as the children try and save their village from a destructive troll and eventually the adults have to believe them.

Uclan, 9781912979608

“The Bear and her Book” by Frances Tosdevin and Sophia O’Connor.   This is a truly magical story of adventure and also about the joys that books can bring to our lives.  When bear decides to see the world, she takes her copy of “Bear’s Big Book of being Wise” and finds it very useful in many of the situations that she finds herself in.  It is a fabulous addition to my collection of books about books and libraries and I really recommend it.

Big Picture Press, 9781787418769

“Ratty’s Big Adventure” by Lara Hawthorne is a lovely story of a small vegetarian rat called Ratty, who decides he wants to explore beyond the mountain crater that he lives in.  He meets a wide range of animals and faces many dangers and challenges.  However he decides that home and friends are what he really wants in life.  This is full of information about the wild life of Papua New Guinea, but above all, it is a tale of adventure and finding your place in the world.

Pikku Publishing, 9781999639891

“The Happy Hedgerow” by Elena Mannion and Erin Brown tells the story of Old Oak and the changes that he sees, when the hedgerow is grubbed up to make larger fields.  It is a story about the seasons and also about the changes that we see in the countryside.  Happily this story has a happy ending, as the humans realize the importance of the hedges and re-plant them.  This will work well as part of  environmental studies in KS1.

Chronicle Kids, 9781452173191

“Inside Cat” by Brendan Wenzel  is the story of one of those cats who lives indoors and only sees the world through the prism of the windows that enclose him.  However, he discovers that seeing something from the inside is not the same experience as being out there. This book makes us more aware of our senses and how we can explore our world, even if we are limited in some ways.  It increases our understanding of the world around us and how we perhaps need to challenge the limits and perhaps go outside our comfort zone.  The quirky illustrations and the limited text make the whole story relatable to the small child.  This is aimed at very young children and would be brilliant for encouraging Early Years children to try new experiences.

Andersen Press, 9781783448944

“Scissorella” by Clare Helen Walsh and Laura Barrett.   This is a truly magical re-telling of ‘Cinderella’, but with the twist being that the main character is an amazing paper artist. The art is inspired by the creative work of Lottie Reiniger, a German born artist who had a great influence on the development of film animation.  The story has an art deco setting, with the costumes harking back to the 1920s; in fact, it reminds me in many ways, of the marvellous version ’Ella’s Big Chance’ by Shirley Hughes. However, we have the added beauty of the paper cutting, which gives a very lace like feel to many of the images. This is a truly beautiful book, which shows a determined female character, who is determined to succeed in life and is a wonderful addition to the Cinderella canon of books.

Pushkin Children’s, 9781782693154

“Shoo!” by Susie Bower and Francesca Gambatesa is the very funny story of what happens when a Zoo moves next door, to someone who doesn’t like animals.  It is full of mayhem and laughter and is a great read for younger readers.  It also reminds us that we all need friends and that our perceptions should be open to change. This will make a great book for story time, both in the school and in the library.

Templar Books, 9781787419179

“The Little wooden robot and the log princess” by Tom Gauld is a very modern interpretation of a fairy tale.  The king and queen have no children and ask a witch and an inventor to create a child for them.  The log princess, worked by magic, but turned back into a log every night.  Whereas the Robot Prince was worked by mechanics and housed a family of beetles in his working.  When the princess goes missing, it is up to her brother to go searching, but he faces many challenges before finding his sibling.  Luckily, as with the best fairy tales we have a happy ending.

Farshore, 9780755502851

“Splash” by Claire Cashmore and Sharon Davey is written by the Paralympian athlete Claire Cashmore and is a version of how she overcame her fear of water, in order to become a gold medal swimmer.  It is a story of determination and overcoming many challenges.  Hopefully it will help many young people to focus on overcoming their own challenges, what ever they may be.

 

 

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Rita Wong and the Jade Mask by Mark Jones and Seamus Jennings

At the moment we are in a period that can only be described as something of a golden age for children’s books, but especially for the genre that surrounds crime and mystery writing.  When this is then widened to include beings such as dragons, werewolves and vampires, then you can expect to have an exciting time.

“Rita Wong and the Jade mask” encapsulates all of these characteristics, although it starts out being situated in the rather prosaic setting of Morecambe.  Somehow, despite it’s glorious Art Deco hotel and the associations with Morecambe and Wise, we cannot really think about this seaside town as being a centre of intrigue and a doorway to another world; yet, as Rita Wong discovers, this is exactly what it is.  13 (nearly 14) year old, Rita has moved to the seaside town with her parents, which is a bit of a difference from her previous home in Hong Kong and she is still struggling to make friends and settle into a new country.  Whilst waiting in a cafe for the library to open up, she sees something that intrigues and slightly confuses her and before she knows it, she is having a conversation with an eight foot green dragon called Lester Thyme.  He is visiting from a parallel world called Neon City, where crime is rife and there are more types of inhabitants than we are used to.

What happens thereafter is somewhat surreal, but Rita finds herself partnering Lester as a private detective, helping the local policeman, Inspector Donnelly, solve the theft of a variety of antique items.  The duo find themselves caught up in a mixture of crime and magic, which puts them both in danger and yet brings them a deep sense of satisfaction as they find challenges as well as new friends.

This really is a fantastic book for those who love their detective stories.  The two main characters have their imperfections, but they persevere in their enquiries, learn to make friends and also to balance out their individual skills and knowledge.  I really love the relationship between the two main characters and the humour that shows itself every now and again.

I particularly love the illustrations for this book.  The front cover puts me in mind of work by artists such as Satoshi Kitamura, David Roberts and Chris Riddell, with the use of very fine ink outlines and the use of shading to create the atmosphere and perspective.  There are other illustrations throughout the book, most of which introduce us to characters, or provide a sense of concern about what is about to happen.  This is very much about accepting people for themselves and realizing that being different can be a positive thing.  I am definitely looking forward to more adventures with this enterprising duo.

 

 

 

Mark Jones
Mark Jones is the author of poems and children’s books. He began writing for his college magazine, and later moved to Delhi. There he edited and wrote original stories whilst expanding his waistline with delicious Indian cuisine. He followed that with a job teaching English in Singapore, where he consumed large quantities of sushi. When he is not writing, he likes to travel to see someone he loves in Osaka.

from “Everything with Words” site

 

Seamus Jennings, illustrator

Seamus works as a political cartoonist and has work produced in The Times, The Guardian and The Independent, amongst other publications.  This is his first children’s book.  https://www.seamusjennings.com/9d665dcf17-gallery

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His Royal Hopeless by Chloe Perrin and George Ermos

Every now and again you get someone who is the ‘black sheep’ of the family.  But in this story we have the opposite happening.  Young Robbie is the heir to the Sinistevil’s dynasty and whilst he tries very hard to live up to his mother’s expectations, it is obvious that he will never fit (both literally and metaphorically), into his dead brother  Brutus’s shoes.  The family are the most evil rulers that you can imagine, with a love of killing, looting and pillaging.  At the age of 12 years they are made to pledge their heart to a  jewelled sceptre, which re-enforces their desire for evil.  Nothing gets in their way and there is no such thing as family love or loyalty.  The problem is that Robbie really does not fit into this world.  He thinks he is evil, but in fact he is a real softy and even has a local peasant girl, Layla, as his friend.  When Robbie discovers that he has an artificial heart, after his mother had the real one removed when he was a baby, he decides to go and retrieve the real one, so that he can take the oath to the sceptre.  What follows is a funny and yet sad look at someone who is desperate for love and affection, but who cannot see the reality of the family that he is growing up in.  Thankfully there are people who want to help Robbie be the good person he is meant to be, although they have their own challenges in life.

What an absolutely magical story this is. I can’t imagine that anyone will not love Robbie despite the fact that he needs a bit of ‘backbone’.  However, with the strong-willed Layla and loyal servant Devon, he is able to overcome many dangers and eventually realizes that he does not want to be evil and much prefers being an ordinary person.  I think it is possible to come to the conclusion that we are not just the character we inherit from our family.  We definitely see that Robbie has an innate goodness that even his horrible mother cannot destroy.  There are so many instances where we wonder about the meaning of family; the Sinistevils take the meaning of ‘dysfunctional’ and then raise it by several notches.  Some of the other characters prove that money plays no part in the way that family love can work and are excellent role models for young Robbie to follow.  If you want a story of a lovable character, with the added ‘attraction’ of a really vile villain (hiss, boo!)  then this really is the book for you.  It is full of laughter, adventure and even the possibility of redemption at the end of the book.

 

“CHLOË PERRIN is a North Walian writer who currently lives in West London studying Creative Writing at Brunel University.

They love to feed crows, prefers Halloween to Christmas and was frequently told off as a child for reading in class. Chloë has previously worked as a youth worker, drama tutor and professional storyteller, having always believed that the best way to teach anyone anything is through a story.

HIS ROYAL HOPELESS was longlisted for the 2019 Times/Chicken House Children’s Fiction Prize and is their debut novel.”  Chicken House website.

HIS ROYAL HOPELESS by Chloë Perrin is out now in paperback (£6.99, Chicken House)
Find out more at chickenhousebooks.com

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The Three Impossibles by Susie Bower

Having worked for Bristol Libraries for nearly 20 years, I am always delighted when I read that an author lives and works in this vibrant city, although I have just heard that Susie has moved to Devon; yet another hub for fantastic authors and illustrators.  I first came across Susie Bower when her book “School for Nobodies” appeared in 2020 and was excited to hear about this new title.

Pushkin, 9781782692928

“The Three Impossibles” is the story of a young girl called Mim, who is actually Princess Jemima, but hates all of the trappings that go with being a ‘perfect princess’.  She lives in a castle, but is forbidden to leave its grounds and the whole town is said to suffer from a curse that occurred when her mother died, just as Mim was born.  The arrival of a new governess called Madame Marionette soon sets the cat among the pigeons.  There is something very sinister about this teacher, her servants and her so called ‘pet’ that she keeps hanging in a covered cage; she appears to have a secret agenda and Mim is worried by what that might mean to the inhabitants of the castle.  Mim is a very inquisitive person and loves escaping to the library and reading her way through the books, unfortunately she can only reach those at the start of the alphabet.  But then she comes across a book that is definitely out of place and there is something very unusual about it.  “The Three Impossibles” positively glows, as if it want to be found, but Mim finds it impossible to open the book, which just makes her more determined to investigate this puzzle.  the story develops at a tremendous pace as Mim uncovers the secrets surrounding her home and the inhabitant of the lighthouse that is just off the shore.  Will the book finally reveal its secret and can Mim actually break the curse that has ruined lives for so many years?  Well, you will have to read the adventure to find out, I am afraid.

This is a fabulous story about a young girl who just doesn’t fit in to the world that she lives in. She loves science and finding things out, hates dressing up and wants to have more freedom, but I think above all she wants to be loved by those around her, especially her father.  There is magic and mystery, curses and creatures of myth for Mim to contend with, but with the help of her friend Smith and Miranda (the cursed grand daughter of the court alchemist) she battles to  overcome evil.  There is a wonderful lesson for us all about striving to be the best we can be, whilst also being true to our inner selves.  So often, this world tries to mould us into something we aren’t, so Mim reminds us to recognize our true selves.

What made you want to write for young people? Or was it a happy accident?

Susie Bower

By the time she hit her teens, Susie Bower had lived in 8 houses and attended 7 schools. This theme continued in her working life: she’s been a teacher, a tour-guide, a typist, a workshop facilitator, a PA and a painter. She formerly wrote and directed TV programmes for children at the BBC and Channel 4, for which she won a BAFTA Award, and she currently writes audio scripts. School for Nobodies, her debut novel, is also available from Pushkin Children’s. Susie lives in Devon.

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Antigua de Fortune of the High Seas by Anna Rainbow and Oli Hyatt

This is the second book about Pirates that I have had the pleasure of reading in the last few months.  this one is aimed at a slightly older audience, age 8 years and above and definitely makes it onto the reading list for “Talk like a Pirate” day.

Tiggy (short for Antigua) wants to lead a life of adventure and perhaps even be a pirate.  She wants to spend time down by the harbour with her friends Marina and Felipe, but unfortunately, she is a young lady and has to wear long dresses and even attend her first dance at the Governor’s Ball.

During the celebrations to commemorate the freeing of the town’s boys, based around  a legend about the ‘Pirate King’ who had taken all the boys and turned them into Sea Golems in the distant past, history seems to repeat itself.   A band of sinister pirates and a giant squid, attack the island and make off with all of the young boys, including Tiggy’s younger brother; she and her friends decide to try and free the captives.  Mysterious mental messages from a mermaid and the fact that Tiggy’s friend Marina is the daughter of a Selkie helps them in their quest.    Importantly,  how can this threat be defeated?

Although there is no real location for the island on which they live, the authors have very strongly given the setting a feel of the Caribbean, but with strong links to Spain, with the use of Madre and Padre  as well as some of the characters’ names.  They have created a world that we can associate with, but which has magical elements that weave a wonderful  and complex place.  You can absolutely feel the heat and hear the sounds of the busy Caribbean Port, together with the rich diversity of characters that are found there.

This is a roller coaster of a story in which the Swash has never before been so Buckled!  It is a fantastic story for the KS2 reader and gives the opportunity to explore themes such as identity, belonging, family, as well as folk tales and legends.  There are wonderfully strong characters, so that this book will appeal to both girls and boys.  It is also a great starting point for some very creative art and writing.  I definitely hope that we will see some more adventures for Antigua and her friends.  Thank you to Anna for this short post that she has given, sharing the background to the Selkie theme that is so important in the book.

 

An introduction to Selkies

By Anna Rainbow

One of the oceanic myths of particular interest to Oli and me was that of the selkie. Unlike the better known mermaid, who is permanently a human with a fish tail, the selkie is a shapeshifter, most commonly a woman who can exist as a seal in water, and then upon shedding her seal skin, change into a human form on land.

A main theme of our book was trying to reconnect landlubbers with the ocean, and promoting the synergy between land and sea, so the selkie seemed to encapsulate this theme perfectly — a person (or a seal) who could live in and enjoy both environments. Someone who values both habitats equally is far less likely to dump plastics in the waves and destroy marine life with pollution.

But it wasn’t just this that fascinated us, it was the dark feminist twist on the tale, something we weren’t aware of before we started our research. A common tale about Selkies is that should a man steal her selkie skin, he can make her his bride. Perhaps symbolic of the power, the identity and freedom, taken from women when they become a wife, especially in the olden days. Or perhaps even deeper, the power taken from women they are born into a patriarchal society.

It was therefore important to us that the Selkies in our story were strong women who kept hold of their seal skins. It is no coincidence that Gabriella, a well known Selkie and Mother to Antigua’s best friend, Marina, is a single Mother who has kept her powers. On the flip side, woman generally don’t give their power away, it is stolen by men, so it was equally important that the men in our book did not steal our Selkie’s skin.

That is not to say that all men steal women’s power, of course not, but Antigua de Fortune of the High Seas is a feminist book, with a strong female lead who rescues all the boys of her island, and we wanted this reflected in our mythology too. It was important to us that we invented a world where Selkies keep hold of their own skin, and men don’t attempt to steal it.

ANTIGUA DE FORTUNE OF THE HIGH SEAS by Anna Rainbow and Oli Hyatt is out now in paperback (£6.99, Chicken House)

 

About Oli Hyatt & Anna Rainbow
ANNA RAINBOW grew up and still lives in North East England and works as a Clinical Psychologist with people with disabilities. Anna loves music and has always been in various choirs, singing quartets, bands, and orchestras. In 2015 she was shortlisted for the Times/Chicken House Children’s Fiction Competition which led to Chicken House publishing The Fandom, her series for young adults (as Anna Day) – it sold in 24 territories and was optioned for TV development by Fox. This is her debut middle-grade novel.  Find out more at annadaybooks.com and follow her on twitter @annadayauthor

OLI HYATT is based in Kings Sutton and is the co-founder of BAFTA award-winning animation studio Blue Zoo. He is also the Director of Alphablocks Limited, the company behind the popular CBeebies phonics shows, Alphablocks and Numberblocks. He is also the chair of Animation UK and was awarded an MBE for his services to the animation industry. This is Oli’s debut novel. Follow Oli on twitter @HyattOli

Antigua de Fortune of the High Seas is Oli and Anna’s first co-authored book together.